In 1989, the Government of Algeria submitted to the journal of the International Association of Music Libraries, Archives and Documentation Centres (IAML) what it termed a “somewhat difficult request.” It concerned the country’s most fabled and lauded composer, Mohamed Iguerbouchène. By then he had been dead for almost a quarter of a century. Born in […]
Tag: Jazz & Nonclassical
Posted inInterview
Personal Mathematics
“Music,” says composer and woodwind player Roscoe Mitchell, “is a science.” The octogenarian is in Bergen, Norway, for the city’s annual Borealis Festival of experimental music. In a few days’ time, he’ll bring the weekend to a thrilling close with two sets, one solo (accompanied by several pre-recorded videos of himself improvising at home), and […]
Posted inEssay
Necessary Shadows
Who invented black metal, that hateful, unholy, visionary genre? Potential candidates include bands Venom, Celtic Frost, Mercyful Fate, or, most likely, the revolutionary Bathory. But exactly 100 years before Venom’s 1982 album “Black Metal” codified the term, the world saw a work similarly infused with perverted religiosity, hatred, mutilation, darkness, extreme ideological stances, blood, racist […]
Posted inInterview
Digging
Cassie Kinoshi’s compositions appear on her SoundCloud in a couple of unassuming annual collections. The six-minute clips are given generic titles like “Compositions: Instrumental Showreel 2020.” But beneath their utilitarian form lie collections of substantial creativity. “Afronaut,” a gritty Afrofuturist track from the Mercury Award-nominated SEED Ensemble, sits alongside “If She Could Dance Naked Under […]
Posted inReport
The Insurmountable Wall
In July 2019, the Aspen Music Festival and School staged a concert production of Rodger and Hammerstein’s “South Pacific.” This was a performance of the show’s 2006 revised concert score, a score that had preserved Pacific Islander stereotypes and an anti-Japanese racial slur. It was so offensive to one student in the orchestra that he […]
Posted inProfile
Excavated Timbres
By the time he started pursuing a formal education in the avant-garde, John McCowen had already traversed to both ends of the spectrum of rock popularity. During the 2000s, he was singing and screaming in hardcore bands at house shows around his native Carbondale, Illinois. Then, in 2009, he was playing flute and sax in […]
Posted inInterview
Time and Labor
I first heard about Terre Thaemlitz a few years ago, under her DJ Sprinkles moniker, as my thing for electronic music became a thing, and friends shared her tracks with me, particularly the dubbed-out reworks of some of his sample-heavy deep house. As my dance music taste got progressively darker and harder, I heard less […]
Posted inInterview
Malleable Structures
The composer and performer Tyshawn Sorey was in Berlin recently as the very first Artist in Residence at the Berlin Festival’s JazzFest. At a concert on November 2, he played an array of highly differentiated sounds, combining subtly with his trio colleagues Christopher Tordini and Cory Smythe. For large chunks of the work, Sorey’s face […]
Posted inProfile
Composites
Saturday night in one of Europe’s big cities, and concertgoers pour out of underground stations and cabs, tickets and programs in hand, dressed to the nines—a star-spangled cavalcade of cultural exchange and high-brow entertainment. Some will trace what they hear with prepared anticipation, some might not know what will be played at all, but all […]
Posted inInterview
A Continuum
When I first emailed Uri Caine to set up this interview, he was headed to Barcelona for a concert. When we finally spoke over the phone a week or so later, he’d just driven back to New York from the Newport Jazz festival. He’s a busy musician, performing across the world (before Newport he was […]