In “What Grieves Frenzy Drown’d,” an album released on SCRIPTS Records in April by 27-year-old New York-based guitarist Alec Goldfarb, melodies rise out of coarse microtonal string textures like strange objects—both ancient and modern, water-smooth rocks and plastic detritus—found on a rough-hewn beach. Occasionally these melodies sound familiar, influenced by Goldfarb’s immersion in Indian classical […]
Tag: Jazz & Nonclassical
Posted inInterview
Closing the Timeline
In 2020, British mathematician Sir Roger Penrose was awarded the Nobel Prize in Physics for his theory that black holes are “inevitable and perfect,” as cosmologist and author Janna Levin summarized his work: “A black hole is like a fundamental particle in its flawlessness. The event horizon hiding any individuality, they become indistinguishable.” One year […]
Posted inHistory
Rhapsody in the Dark
In 1989, the Government of Algeria submitted to the journal of the International Association of Music Libraries, Archives and Documentation Centres (IAML) what it termed a “somewhat difficult request.” It concerned the country’s most fabled and lauded composer, Mohamed Iguerbouchène. By then he had been dead for almost a quarter of a century. Born in […]
Posted inInterview
Personal Mathematics
“Music,” says composer and woodwind player Roscoe Mitchell, “is a science.” The octogenarian is in Bergen, Norway, for the city’s annual Borealis Festival of experimental music. In a few days’ time, he’ll bring the weekend to a thrilling close with two sets, one solo (accompanied by several pre-recorded videos of himself improvising at home), and […]
Posted inInterview
Digging
Cassie Kinoshi’s compositions appear on her SoundCloud in a couple of unassuming annual collections. The six-minute clips are given generic titles like “Compositions: Instrumental Showreel 2020.” But beneath their utilitarian form lie collections of substantial creativity. “Afronaut,” a gritty Afrofuturist track from the Mercury Award-nominated SEED Ensemble, sits alongside “If She Could Dance Naked Under […]
Posted inReport
The Insurmountable Wall
In July 2019, the Aspen Music Festival and School staged a concert production of Rodger and Hammerstein’s “South Pacific.” This was a performance of the show’s 2006 revised concert score, a score that had preserved Pacific Islander stereotypes and an anti-Japanese racial slur. It was so offensive to one student in the orchestra that he […]
Posted inProfile
Excavated Timbres
By the time he started pursuing a formal education in the avant-garde, John McCowen had already traversed to both ends of the spectrum of rock popularity. During the 2000s, he was singing and screaming in hardcore bands at house shows around his native Carbondale, Illinois. Then, in 2009, he was playing flute and sax in […]
Posted inInterview
Time and Labor
I first heard about Terre Thaemlitz a few years ago, under her DJ Sprinkles moniker, as my thing for electronic music became a thing, and friends shared her tracks with me, particularly the dubbed-out reworks of some of his sample-heavy deep house. As my dance music taste got progressively darker and harder, I heard less […]
Posted inInterview
Malleable Structures
The composer and performer Tyshawn Sorey was in Berlin recently as the very first Artist in Residence at the Berlin Festival’s JazzFest. At a concert on November 2, he played an array of highly differentiated sounds, combining subtly with his trio colleagues Christopher Tordini and Cory Smythe. For large chunks of the work, Sorey’s face […]