Posted inStuff I’ve Been Hearing

Amateur Hour

Lisa Moore: “Frederic Rzewski: No Place to Go but Around” (Cantaloupe) The Crossing, Donald Nally: “Born” (Navona Records) Anthony Cheung: “All Roads” (New Focus Recordings) When did “amateur” become an aspersion? The late 1780s, according to the Online Etymology Dictionary. But the etymology of the word is written across its forehead: Its roots are in […]

Posted inStuff I’ve Been Hearing

Empty Spaces

Orchestre de Chambre de Lausanne, Heinz Holliger: “Schönberg: Kammersymphonie Op. 9, Sechs Kleine Stücke, Op. 19; Webern: Symphonie, Op. 21, Fünf Sätze, Op. 5” (Fuga Libera) Zehava Gal, Laurence Dale, Veronique Dietschy, Carl Johan Falkman, et. al. “La tragédie de Carmen” Bertrand Chamayou: “Messiaen: Vingt Regards sur l’enfant Jésus” (Erato) “I can take any empty […]

Posted inStuff I’ve Been Hearing

Still Somewhere

Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow: “Saint-Saëns: Piano Concertos Nos. 1 & 2” (BIS) Joanna Goodale: “Debussy in Resonance” (Paratay) Lavinia Meijer: “Are You Still Somewhere?” (Sony) As the composer himself tells the story, when Camille Saint-Saëns was six years old, he composed a romance for a singer. The 12-bar work left its interpreter’s father […]

Posted inStuff I’ve Been Hearing

A Little Tenderness

Reinis Zarins: “Pēteris Vasks: Solo Works” (Ondine) Nicky Spence, Christopher Glynn: “Schubert: The Fair Maid of the Mill” (Signum) Overheard last week in Tempelhof Field—a public park fashioned, in true Berliner style, out of an abandoned airport:  “I hate it here.” “Berlin?”“No, this plane of existence.” A relatable feeling. Fortunately, there’s a new Pēteris Vasks recording. […]

Posted inInterview

“We Cannot Just Sit and Be Terrified”

In conversation, Ukrainian concert pianist Anna Fedorova is controlled, which belies the expressive style with which she usually plays. Her disposition is unfailingly sweet, and the hint of a kind smile is ever-present—but her face is also understandably lined with stress and sadness, in the wake of Russia’s invasion of Ukraine. As a follow-up to […]

Posted inStuff I’ve Been Hearing

Imitations and Intimations

Alexei Lubimov: “The Seven Last Words of Christ on the Cross” (ECM) Alexei Lubimov, Ivan Monighetti: “Silvestrov: Piano Sonatas, Cello Sonata” (Erato) Radu Lupu, Zubin Mehta, Israel Philharmonic Orchestra: “Beethoven: Piano Concerto Nos. 3 & 5” (Decca) Nicholas Angelich: “Prokofiev: Visions Fugitives, Piano Sonata No. 8 and Romeo & Juliet” (Erato) “I play Haydn after […]

Posted inInterview

Dangerous Symbols

On April 14, the Russian keyboard player Alexei Lubimov and the singer Yana Ivanilova performed a concert at DK Rassvet, a venue in central Moscow which, similar to New York’s (Le) Poisson Rouge, hosts concerts and cultural events and doubles as a club. As Lubimov was performing playing a solo portion of the concert, with […]

Posted inStuff I’ve Been Hearing

Floating in Gesture

Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras: “Brahms String Sextets” (Alpha Classics) Rebeca Omordia: “African Pianism” (SOMM Recordings) Two things have been stuck in my head lately. The first comes from Anna Stavychenko’s recent interview with my colleague Hartmut Welscher, given just before Russia’s invasion, while the Kyiv Symphony Orchestra director was on permanent red alert. […]

Posted inInterview

Reserve and Release

Jeremy Denk may not have as high a profile as other classical pianists, but he has a deep range of accomplishments both inside and outside of music. Last year, Nonesuch released his latest recording: Mozart Piano Concertos with the St. Paul Chamber Orchestra (he plays No. 20 and 25, and the Rondo in A minor, […]

Posted inStuff I’ve Been Hearing

Natural Instincts

Swedish Chamber Orchestra, Thomas Dausgaard: “Mendelssohn Symphonies 1 & 3” (BIS) The Philadelphia Orchestra, Yannick Nézet-Séguin: “Florence Price: Symphonies Nos. 1 & 3” (Deutsche Grammophon) Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin: “Sibelius 3” (ATMA Classique) Yu Kosuge: “Four Elements: Water, Fire, Wind, and Earth” (Orchid Classics) Sarah Kirkland Snider, Gallicantus: “Mass for the Endangered” (New […]

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