In September, conductor and Alarm Will Sound artistic director Alan Pierson managed a bureaucratic feat of Olympian proportions: traveling, with COVID-19 restrictions in effect, from the United States to Germany. His essential business: conducting the rehearsals, premiere, and later performances of Hans Thomalla’s new opera “Dark Spring” at the Nationaltheater Mannheim. In early October, Pierson […]
Tag: LGBTQIA+
Posted inInterview
Across And Over
For 42 years, Daniela Huber has been a violinist in the Bavarian State Orchestra. She also plays chamber music, composes, arranges, appears in cabaret performances as part of a string quartet, and founded a jazz band in which she plays mainly piano. Outside the concert hall, too, Huber rarely remains silent. In 2014, a group […]
Posted inEssay
Women In Love
I first learned about opera’s tradition of trouser roles from a trio of puppets. As a toddler, I’d often watch the 1972-73 series “Who’s Afraid of Opera?,” which featured a trio of audience members created by puppeteer Larry Berthelson: Rudy the Lion, Sir William the goat, and Billy, the baby goat nephew of Sir William. […]
Posted inEssay
Hearing Queerly
Sometimes we produced sounds that lasted over an hour. If it was a loud sound my ears would often not regain their normal hearing for several hours, and when my hearing slowly did come back it was almost as much a new experience as when I had first begun to hear the sound. These experiences […]
Posted inPlaylist
A Trans Composers Playlist
Trans people are used to seeing ourselves refracted through the eyes of cis artists. Sometimes it’s done very well; more often it’s not. But what happens when we’re the ones making the art? Much has been written about video games, novels, and rock and pop music by trans artists, but our presence in the contemporary […]
Posted inInterview
The Bernstein Effect
On an unusually sunny February afternoon, I met Craig Urquhart in his apartment at Berlin’s Nollendorfplatz, the beating heart of the city’s gay life. (Christopher Isherwood once rented a place here.) “I’m going to be very bad and have a gin,” Urquhart said, but then realized he didn’t have any ice. Urquhart was a longtime […]
Posted inReview
Can Cis Men Write Trans Opera?
“I am a human; nothing that is human is alien to me.” Composer Robert Paterson cites this line from the Roman playwright Terence in defense of his choice, along with librettist David Cote, to write an opera with characters that don’t share his demographic background. “I think there’s too much of that these days,” Paterson […]
Posted inInterview
Something Organic
I interviewed the pianist Jean-Yves Thibaudet by phone one recent evening, while he was in Paris. We made small talk, discussing a Caribbean vacation he took where he had to have a piano flown in to practice on. Then we moved on to the recording of complete works, movie music, and being a gay classical […]
Posted inOpinion
Breaking Binaries
Classical music has a gender problem. The numbers are consistent and dismal: as various orchestras have announced their 2017–18 seasons, numerous outlets have tallied how many male and female composers are represented, and so far none seem to be doing better than the Los Angeles Philharmonic, where male composers still take up 88 percent of […]
Posted inEssay
Honey in the Throat
“Life here is a John Cage score, dissonance made eloquent.” Bill Hayes, Insomniac City “This text is a mosaic of remarks,” begins the Florent Ghys composition “An Open Cage.” When I first hear it, I mistake John Cage’s voice for essayist David Rakoff’s. They share a raspy, disaffected tone, a soft sibilance that exudes ironic […]