Posted inReport

The Rough Joy

Western classical music is often thought of as placeless: a grammar of sound that belongs everywhere and nowhere, drifting free of soil, climate, history, on some variation of Henry Russell Cleveland’s axiom from 1835, that “Music begins where language ends.” There is, we tell ourselves, a Schumann for all seasons. Africa, by contrast, is so […]

Posted inEssay

They Toll For Thee

Bells call people to pray, to mourn, to marry. They pass them news of war, peace, fire, and flood. On a sweltering August afternoon in London, they summoned me to the Royal Albert Hall. That night’s performance of Mahler’s Symphony No. 2 from The Hallé at the BBC Proms was partly special because it was […]

Posted inEssay

A Feast of Symbols

Lighting up mid-conversation, Murat Erginol sat at a coffee shop in the breezy, open-air halls of Atatürk Culture Center, Istanbul’s premier performing arts complex. Erginol, wispily bearded and quick to smile, is, among other accolades, first violinist of the Gedik Philharmonic Orchestra, one of Turkey’s many privately sponsored ensembles. Then rehearsing “The Four Seasons” by […]

Posted inReport

City of Beasts

When your home becomes a nightmare, what sound does it make? In composer Xavier Muzik’s “Strange Beasts,” it growls. It hisses. It groans. It goes topsy-turvy, unrecognizable. It vanishes. As Muzik told a San Francisco audience in February, at some point during the pandemic, his city, Los Angeles, became the stuff of nightmares. The 29-year-old […]

Posted inReport

Matinee Idyll

Vladimir Horowitz stretches out on his sofa. Basking in the glow of a recent Carnegie Hall triumph, the virtuoso grants a rare interview. He has something important to say, a deeply held wish he’s rarely discussed. The conversation is nearly over before he brings it up. “The only thing which I change,” begins the maestro, […]

Posted inProfile

The Value of Normality

I The drive from Tbilisi airport to the Tsinandali Estate should take about two hours, but it’s a much swifter journey in the very early morning. We zoom serenely along the quiet highways, slowing only to swerve stray dogs who have wandered onto the road. Each swerve is a sudden lurch that jolts me out […]

Posted inReport

Relaxing in the Pressure Cooker

On YouTube, there’s a video of a 1973 concert with the Royal Concertgebouw Orchestra and Bernard Haitink performing Beethoven’s Third Piano Concerto with soloist Artur Rubinstein. It’s an extraordinary concert to hear, between the young Haitink, the 86-year-old Rubinstein, and the orchestra’s signature sound (consistently described as “homogeneous and transparent at the same time”). The […]

Posted inStuff I’ve Been Hearing

Weary Deserts and Distant Sounds

If I had to name a favorite Strauss opera, “Daphne” would make a Cinderella-run to the center of my bracket. It doesn’t have the revolutionary spirit of “Salome,” nor the orgiastic horns of “Der Rosenkavalier.” It’s weird, but not in the way that “Die Frau ohne Schatten” is weird, and in terms of Strauss’s affinity […]

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