Posted inReport

Under The Mask

In August 2023, the orchestral conductor Rebecca Bryant Novak began a doctor of musical arts degree at the Eastman School of Music in Rochester, New York. Bryant Novak, who had spent time working as a conductor after getting her master’s, decided to go back to school to build a strong professional portfolio. She “felt like […]

Posted inOpinion

Playing Along

American classical music institutions have been quiet lately. Quieter than they were about the murder of George Floyd. Much quieter than they were about the full-scale Russian invasion of Ukraine. Individual musicians have often been more outspoken. But in recent years institutions have taken political positions often enough that their current silence is surprising.  When […]

Posted inInterview

Crossing the Line

On September 11, the Israeli conductor Ilan Volkov gave an emotional speech following a concert with the BBC Scottish Symphony Orchestra at Royal Albert Hall in London, decrying the carnage inflicted on Gaza and the West Bank by the Israeli government under Netanyahu and the Israel Defense Forces. “I know that many of us feel […]

Posted inReport

Low Note

In a video on the social media page High Note, an account launched on July 29 featuring “street interviews with classical music icons,” the tenor Freddie De Tommaso stands outside a pub drinking a Guinness, joking with a female interviewer about whether his favorite composer is Verdi, Puccini, or Sean Paul. In about 40 seconds, […]

Posted inInterview

One More Voice

Few prominent classical musicians—and few prominent Germans—have spoken out about Israel’s brutal war in Palestine quite as consistently, as passionately, and with as much attention to detail as the violinist (and son of Daniel) Michael Barenboim. When I met him last month in a quiet corner of a beer garden near the Barenboim-Said Akademie in […]

Posted inBarTálk

A Proper Continuum

On Sunday, a new “Don Giovanni,” the final staging of Kirill Serebrennikov’s Mozart-Da Ponte trilogy, premiered at the Komische Oper in Berlin. It imagined the title character as being taken through the bardo throughout the opera, following the Tibetan Book of the Dead, and substituted movements from Mozart’s Requiem for the work’s usual finale. After […]

Posted inInterview

Inner Necessity

In March, pianist András Schiff announced that he would withdraw from all his concerts in the United States for the 2025–2026 season, citing “recent and unprecedented political changes.” He has a good eye for the danger of such developments: His native Hungary, where he hasn’t set foot for over a decade, is an oft-cited roadmap […]

Posted inReport

These Are The Top Republican Donors Also Donating To Classical Music

In May 2020, when George Floyd was murdered by a white police officer in Minneapolis, many American classical music institutions joined what appeared to be a society-wide reckoning on racism. The Minnesota Orchestra commissioned a work in Floyd’s memory, by composer Carlos Simon and librettist Marc Bamuthi, called “brea(d)th.” The Chicago Symphony Orchestra shared sobering […]

Posted inBarTálk

The Constant Organism

On Sunday, a new opera by Beat Furrer, “Das grosse Feuer” (“The Great Fire”), premiered at the Zurich Opera House. Directed by Tatjana Gürbaca and based on a novel by the Argentine author Sara Gallardo, the work, also conducted by Furrer, tells the story of an Indigenous shaman named Eisejuaz, whose community and individual being […]

Sign up for newsletters

Get the best of VAN Magazine directly in your email inbox.

Sending to:

Gift this article