Posted inBarTálk

Optimistic Nihilism

On Sunday, Olga Neuwirth and Elfriede Jelinek’s new opera, “Monster’s Paradise,” premiered at the Staatsoper Hamburg, staged by the house’s artistic director Tobias Kratzer. The work is a dark satire that involves a King-President obsessed with shit and modeled on Donald Trump; he battles a monster named Gorgonzilla, as vampires based on Neuwirth and Jelinek […]

Posted inBreaking

Emails Raise Questions About Conductor’s Relationship with Jeffrey Epstein

“I found a great girl for your next stay in Paris,” the conductor Frédéric Chaslin wrote to Jeffrey Epstein in September 2013. Chaslin told the financier, who first pleaded guilty of solicitation of prostitution and of solicitation of prostitution with a minor in 2008, that the girl was a 21-year-old philosophy student who spoke three […]

Posted inReport

Under The Mask

In August 2023, the orchestral conductor Rebecca Bryant Novak began a doctor of musical arts degree at the Eastman School of Music in Rochester, New York. Bryant Novak, who had spent time working as a conductor after getting her master’s, decided to go back to school to build a strong professional portfolio. She “felt like […]

Posted inOpinion

Playing Along

American classical music institutions have been quiet lately. Quieter than they were about the murder of George Floyd. Much quieter than they were about the full-scale Russian invasion of Ukraine. Individual musicians have often been more outspoken. But in recent years institutions have taken political positions often enough that their current silence is surprising.  When […]

Posted inInterview

Crossing the Line

On September 11, the Israeli conductor Ilan Volkov gave an emotional speech following a concert with the BBC Scottish Symphony Orchestra at Royal Albert Hall in London, decrying the carnage inflicted on Gaza and the West Bank by the Israeli government under Netanyahu and the Israel Defense Forces. “I know that many of us feel […]

Posted inReport

Low Note

In a video on the social media page High Note, an account launched on July 29 featuring “street interviews with classical music icons,” the tenor Freddie De Tommaso stands outside a pub drinking a Guinness, joking with a female interviewer about whether his favorite composer is Verdi, Puccini, or Sean Paul. In about 40 seconds, […]

Posted inInterview

One More Voice

Few prominent classical musicians—and few prominent Germans—have spoken out about Israel’s brutal war in Palestine quite as consistently, as passionately, and with as much attention to detail as the violinist (and son of Daniel) Michael Barenboim. When I met him last month in a quiet corner of a beer garden near the Barenboim-Said Akademie in […]

Posted inBarTálk

A Proper Continuum

On Sunday, a new “Don Giovanni,” the final staging of Kirill Serebrennikov’s Mozart-Da Ponte trilogy, premiered at the Komische Oper in Berlin. It imagined the title character as being taken through the bardo throughout the opera, following the Tibetan Book of the Dead, and substituted movements from Mozart’s Requiem for the work’s usual finale. After […]

Posted inInterview

Inner Necessity

In March, pianist András Schiff announced that he would withdraw from all his concerts in the United States for the 2025–2026 season, citing “recent and unprecedented political changes.” He has a good eye for the danger of such developments: His native Hungary, where he hasn’t set foot for over a decade, is an oft-cited roadmap […]

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