Brendan Slocumb’s goal is to be the “Stephen King of musical mysteries.” In the last three years, he has published three mystery novels with Penguin Random House: The Violin Conspiracy (2022), Symphony of Secrets (2023), and The Dark Maestro (forthcoming in May). The protagonists of all three novels are classical musicians, and all three plots […]
Category: Interview
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The Traveling Breath
A woman with narrow shoulders and long grey hair steps up to the microphone. In the bluish stage light, she looks pensive and fragile. Which makes the power of her voice all the more surprising as she releases an astonishing variety of sounds into the hall: humming, whirring, sighing; clacking glottal stops, throaty chirps, nasal […]
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Wrangling, Plunging
Beginning with Stockhausen on April 6, “20th Century Radicals” is a new 40-part series about the composers who shaped the previous century. Over the course of 40 weekly episodes, it covers Andriessen and Berio through to Xenakis and La Monte Young, via El-Dabh, Jolas, Murail and Takahashi, and many more. It’s the sort of series […]
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Between Beauty and Lies
Frederick Reece’s forthcoming first book, Forgery in Musical Composition: Aesthetics, History, and the Canon, is a feast of a read, offering far more than a history of fakery in classical music. It asks: How was the canon formed and when did we begin to care about authenticity in art? Can lies be beautiful? What is […]
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Unnatural Invisibility
Some composers are celebrated in their lifetimes. Others must wait for history to catch up. A composer faces a plethora of challenges throughout their career, from testing an edgy yet dubious idea or missing a crucial post-concert networking opportunity to simply submitting compositions on time. The odds of slipping into obscurity are extremely high. Add […]
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Seeking Leverage
The UK-based Musicians’ Union has 36,000 members, and covers musicians across a huge variety of genres, vocations and working patterns. Its orchestral section—about 10% of the membership—represents the best organized part of the union. (Salaried orchestras like the Hallé or the Liverpool Philharmonic—with playing roles and organizational structures that have rarely changed in decades—are extremely […]
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Useful Music
Composer, conductor and facilitator Michael Betteridge’s music sometimes moves like the ocean. In his reworking of Vaughan Williams’ one-act opera, “Riders to the Sea,” he stripped the orchestration to its emotional essence, replacing rich string textures with oboe, accordion, and bass clarinet. His new prologue was bold and theatrical as Bartley, silhouetted against a sea […]
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The Space of Beauty
The premiere of Klaus Lang’s “tönendes licht” did not take place quite as anticipated. Composed for organ and spatially distributed orchestra, the work was due to be performed at St. Stephen’s cathedral, Vienna, in November 2020. In the end, due to ongoing restrictions brought on by the pandemic, the four sections of the orchestra, spread […]
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For an Idea
The Russian invasion of Ukraine forced the music world to reckon urgently with its naïveté towards the country’s imperial ambitions. Looking back, it remains shocking just how willing the field was to ignore, for instance, Valery Gergiev’s aggressive pro-Kremlin propaganda. The violinist Lisa Batiashvili, in contrast, was prophetically clearsighted, and willing to take action, too. […]
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“You Have to Be Relentless”
To look at his schedule or to watch him huff, stomp and jab with his hands—without a baton, always—at the podium, Antonio Pappano would seem to be one of the hardest-working conductors in the classical music business. For much of the past two decades, he has led Italy’s finest symphony orchestra, the Orchestra dell’Accademia Nazionale […]