Since founding the early music ensemble Le Poème Harmonique in 1997, Vincent Dumestre has brought Palmeritan puppeteers to perform a forgotten opera about the mad Roman emperor Caligula; collaborated with circus players on 17th-century church music; and invited a diverse array of contemporary theater directors and choreographers to stage, among other things, a Spanish Baroque […]
Category: Interview
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God Sing Through Me
For a long time, the world of opera was blindingly white—until soprano Camilla Williams became the first Black singer to perform on a major American opera stage. In 1946, she made her debut at the New York City Opera as Madame Butterfly, opening a door that had been closed to people of color up until […]
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Multiple Realities
In the first weeks of the Russian invasion of Ukraine, Denys Karachevtsev recorded himself playing Bach’s Fifth Cello Suite in front of bombed-out buildings in Kharkiv. The videos went viral, becoming iconic documents of the beginning of the war. Karachevtsev, aged 30, is a cellist at the opera house in Kharkiv and teaches at the […]
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Transience
The composer Rebecca Saunders was not where I imagined her to be. Plans for a meeting in person were moved online, owing to her retreat to the countryside to complete a deadline. So it was a surprise when Saunders appeared, not in some remote rural studio, but in her Berlin flat. “I think a lot […]
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The Threshold of Time
In the big pond full of big fish that is the New York contemporary classical music scene, the Argento New Music Project, led by composer and conductor Michel Galante, is an unusual and irreplaceable specimen. As artistic director of the ensemble, Galante combines two qualities that rarely go together: An ear for logical and creative […]
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Authentic Human Utterances
Nearly a decade ago, I watched Julia Bullock crawl around the floor of the Juilliard stage in the title role of Janáček’s “The Cunning Little Vixen.” A great talent had arrived. I kept listening: First, to her Joséphine Baker-inspired “Perle Noire” in a penthouse at Lincoln Center (and the tweaked version that followed on the […]
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A Glimpse of the Butterfly
Few conductors manage to cross the invisible boundary separating contemporary music ensembles (with their emphasis on ephemeral premieres) from mainstream orchestras (where even the 867th rendition of a Brahms symphony is expected to sound gripping and fresh). The American David Robertson is one such conductor. In 1992, Pierre Boulez appointed Robertson music director of the […]
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“Will I Die? You Bet I Will.”
Steve Reich is the Bob Dylan of classical music: Everyone loves the revolutionary early stuff (“Come Out,” “Piano Phase,” “Four Organs,”) but the variety and longevity of the career that followed inspires more controversy. And also like Dylan, whose 2020 album “Rough and Rowdy Ways” was largely acclaimed, Reich’s most recent work is worth a […]
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Into the Cosmic Unknown
When does your experience of a new piece of music begin? When you hear the first note? When the performers first enter the space? Or does the context of the venue’s ambience beforehand also affect how you take in the piece? Does the experience begin with the first rehearsal, the first compositional sketch, the first […]
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Holding the Center
In 2018, outgoing Berlin Philharmonic music director Simon Rattle told the orchestra’s in-house magazine, 128, “You probably need to be 90 to conduct this orchestra correctly.” Swedish conductor Herbert Blomstedt, age 95, proved the truth to this remark in a concert with the orchestra at the end of September. The Berlin Philharmonic is known for […]