A few weeks ago I interviewed Jennifer Walshe via Skype; I was in Berlin, she in her office in London. That week Walshe’s work was to be recognized with an Innovation award from the British Association of Songwriters, Composers and Authors (BASCA), and she was also looking ahead to coming to Berlin in January for […]
Category: Interview
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The Middle of the Highway
On a recent Wednesday, I met the Norwegian violinist Vilde Frang in a café in Berlin’s Prenzlauer Berg neighborhood: an area popular with classical musicians for its chic, international atmosphere. She had to cancel our previous appointment, writing on WhatsApp that she had a bad cold; then a doctor diagnosed her with mononucleosis. She described […]
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Confinements
Round-number anniversaries of composers’ births and deaths can often feel arbitrary, excuses to keep programming the same music. Not Monteverdi’s 450th birth year. His operas are universal, important reminders that us humans have always had the same struggles, that we’ve been here before: 450 is a number that puts things in perspective. The conductor John […]
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His Own Renaissance
Thomas Sanderling was born in 1942 in Novosibirsk, during the exile of his father Kurt. He studied in Leningrad, the city of his childhood and youth, then moved to Berlin to continue. He made his conducting debut in his early 20s and could soon be seen in major concert halls and opera houses throughout the […]
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Amour
On December 1, the Metropolitan Opera in New York City will perform its first opera by a female composer since 1903. Kaija Saariaho’s 2000 opera “L’Amour de Loin” is a haunting tale of love transcending the bounds of distance and death, adapted from a medieval troubadour’s fictionalized life story. There are only three characters: Jaufre […]
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Adaptation
10 years ago, in an ill-tempered article for the Berliner Zeitung, a music critic coined the term “cuddle classical.” It referred to musicians whose PR strategies tended towards the sweet and approachable; alongside the violinist Hilary Hahn, he named Janine Jansen, Baiba Skride, Leonidas Kavakos, and (of course) Lang Lang. I think he got Hahn, […]
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Hierarchy of the Moment
The conductor Elena Schwarz grew up in Lugano, Switzerland, with parents who were both doctors specialized in internal medicine. Her recently work has emphasized contemporary music: she performed Olga Neuwirth at The Lucerne Festival, and Brian Ferneyhough in 2013 in Berlin, among other composers and ensembles. When we spoke on Skype, she spoke English fluently, […]
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Nuance
Touring with Chris Thile. Singing Schubert with A Far Cry. Writing for the Kronos Quartet, Brooklyn Rider, Orpheus Chamber Orchestra, and many others. For a while, it seemed I couldn’t turn around in the contemporary music sphere of the Internet without tripping over the name Gabriel Kahane. After seeing him perform in Boston with AFC, […]
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Recurring Themes
Maintaining an active career performing with major orchestras around the world, Canadian-American violinist Leila Josefowicz has managed to walk the line between the expected standard repertoires for violin and orchestra and more daring new works. As a testament to this, over the past year, Leila has performed Sergei Prokofiev’s “Violin Concerto No. 1” (1917), Alban […]
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Xylem
New York-based composer Katherine Balch has an extraordinary number of things going on in her head at any given time. She has recently completed a piece for a multimedia project by Michiko Theurer, inspired by Virginia Woolf’s The Waves, to be performed March 13, 2017, in Boulder, Colorado. Currently, Katie is working on two separate […]