During this year’s Ojai Music Festival in Ojai, California (June 8-11), I met up with George Lewis, the Edwin H. Case Professor of American Music at Columbia University, to discuss his opera “Afterword,” which received its West Coast premiere at the festival on June 9. The theme of this year’s Ojai Music Festival, directed by […]
Tag: Opera
Posted inReview
Iterations
Among landmarks of opera, 20th-century Hungarian composer György Ligeti’s “Aventures” (1962) and “Nouvelles Aventures” (1962-5) count as two of the most bizarre. They’re both written for singers and a small (seven-piece) orchestra, but that’s where the concessions to operatic conventions end. The music—with percussion including mallets hitting tables, papers being ripped apart, and, in “Nouvelles […]
Posted inInterview
Sensitivities
I met the soprano Kristine Opolais for this interview at her hotel in Leipzig. It was a hot, overcast day, so we sat outside. A few drops of rain fell periodically. When she laughed, she’d lean forward and create a triangle from her shoulder to her hand with her left arm, bending her wrist. We […]
Posted inInterview
The Abyss
With his beard and penetrating eyes, Georg Nigl looks a bit like Hugo Wolf. In rehearsal, he sings, whispers, growls—Hans Neuenfels, the 76-year-old director of Manfred Trojahn’s opera “Orest,” can barely tame the extreme moods of the baritone, and the rehearsal is viscerally exciting. At breaks, the two get together for a smoke. The premiere […]
Posted inInterview
Emotional Weapon
Tonight, the Latvian soprano will debut in a Sofia Coppola production of “La Traviata” alongside Plácido Domingo and Arturo Chacón Cruz at the Palau de les Arts Reina Sofia in Valencia, Spain. When I reached her last week via Skype for this interview, she was already there for rehearsals, and seemed lively and engaged. Would […]
Posted inReview
Listening to Homelessness
It’s arguable whether Robert Ashley’s 1998 opera “Dust,” scored for solo voices, prerecorded orchestra, and electronics, is a masterpiece of opera—but it is certainly a masterpiece of political art in its evocation of empathy for marginalized people. During the 90 minute work, we hear the conversations and monologues of a cast of five homeless characters, […]
Posted inHistory
Drama Queens and Fever Dreams
By the time we get to Munich, the cold sopping spring has turned to a sultry summer—in like a lion, out like a lamb shank, meat falling right off the bone. Sunbathers in the Englischer Garten lie sanguine and naked in the grass. But instead of joining them in Edenic glory, my boyfriend Nick and […]
Posted inHistory
Siegfried Idyll
Some babies are put in swaddling clothes. Others are born into families where expectations are so great that they begin to resemble similarly physical restrains. Siegfried Wagner, the only son of Richard, was born in 1869. Richard wrote the “Siegfried-Idyll” to mark the occasion, a work with and flashes of mesmerizing genius. As the male […]
Posted inInterview
Nonlinearity
Yuval Sharon is the founder and artistic director of Los Angeles’ home for experimental opera, The Industry. In 2014, The Industry worked with composer Christopher Cerrone and choreographer Danielle Agami in an adaptation of Italo Calvino’s novel, “Invisible Cities.” The production took place in LA’s historic Union Station and was a finalist for the 2014 […]
Posted inEssay
The Savior’s Gaze
Upon hearing her own stepmother the Kostelnička guiltily admit that she was the one who killed her infant child—whose frozen corpse the people of the Moravian village have now discovered—Jenůfa, initially shocked and appalled, first orders her to “stand up.” Then, going against the general bloodthirsty tenor of the crowd surrounding them, she grants her […]