On Saturday, January 6, a group of activists taking part in the global Shut It Down for Palestine movement marched through a wintery mix of sleet and rain from midtown Manhattan’s Bryant Park to Lincoln Center, blocking the main entrance to David Geffen Hall just as concertgoers began to arrive for that evening’s performance by […]
Posted inRankings & Roundups
Augusta Holmès’s Most Virile Works, Ranked
Have you ever wondered why they call it the long 19th century? From Beethoven’s hammering martellatos, to Wagner’s massive, veiny works that seem to last forever, to Liszt’s immense hand size (…), the Romantic period was in many ways a musical virility contest with many—many—climaxes. But there was one composer who critics considered the most […]
Posted inPlaylist
The Best Opening Chords in Classical Music
Some pieces of music burst into life with feats of virtuosic daring; others rumble up from the bowels of the earth; some loom over you hieratically. Many beginnings are defined by some brilliant melodic gesture: Strauss’s “Don Juan,” for instance, scales the orchestra with a kind of priapic triumph. As a miserable year comes to […]
Posted inStuff I’ve Been Hearing
Recordings for the End of Time
Are we still meant to be listening to music? This is something I’ve been struggling with over the last two-and-a-half months, even when I am, by virtue of my profession, actually meant to be listening to music. Either the political ramifications of a work start to become too foregrounded (try listening to Maria Callas in […]
Posted inOpinion
Ysaÿe No More
I don’t know if anybody has realized, but we’re in the middle of Hurricane Eugène. Since 2020, recordings of all or parts of Ysaÿe’s Six Sonatas (Op. 27) have been released by violinists including Ju-young Baek-Laurent Albrecht Breuninger-Thomas Bowes-Maxim Brilinsky-Anca Vasile Caraman-Elmira Darvarova-James Ehnes-Julia Fischer-David Grimal-Jeroen De Groot-Hilary Hahn-Kejia He-Kerson Leong-Jack Liebeck-Daniel Matejča-Alessandro Perpich-Solveig Steinthorsdottir-Yayoi […]
Posted inInterview
“We Disrupt What We Love”
On November 30, the opening night of the Metropolitan Opera’s revival of “Tannhäuser,” we had reached the engrossing song contest in the Wartburg Castle from Act II. Baritone Christian Gerhaher, making his house debut in the role of Wolfram, was singing “Blick’ ich umher,” the character’s song on courtly love. As the music and libretto […]
Posted inInterview
Explosions of the Voice
When I spoke to Paola Prestini over Zoom, we immediately started talking about her dream to make an opera from Elena Ferrante’s My Brilliant Friend, a novel about two women whose lives are forged in response to each other. Prestini’s music is just as defined by her collaborations. In an interview ostensibly about her, she […]
Posted inReview
Two Flutists Got Drunk and Listened to André 3000’s Flute Album
In late November, André 3000 released “New Blue Sun,” a CD immediately dubbed his “flute album”—though clearly as much for the picture on the cover as for the sound of the instrument 3000 plays. Nonetheless, as a lapsed, bad flutist, I decided to listen to the music with a current, extremely good flutist: Eric Lamb, […]
Posted inInterview
The Milliseconds Before the Now
Last month, St. Louisans faced a unique risk when comedian Jim Gaffigan and conductor James Gaffigan played two very different shows in the same city on the same night. Luckily, it seemed that ticketholders for each event got to the right theater without any confusion. “My show is with @jerryseinfeld,” Jim Gaffigan clarified on Instagram. […]
Posted inPlaylist
A Psappha Playlist
“Psappha is now closed.” On November 6, Psappha, a contemporary music ensemble based in Manchester, posted a short notice that signaled the end of over 30 years of commissioning, performing, and championing music from the 20th and 21st centuries. On the perennially shaky UK new music scene, organizations are routinely thinned, trimmed and pruned, but […]