Posted inOpinion

Is Beatrice Venezi’s Appointment Really Based on Merit?

Everywhere you look, politics are seeping into opera. In New York, Metropolitan Opera General Manager Peter Gelb, accompanied onstage by Democratic senator Chuck Schumer, gave a rousing opening-night speech defending freedom of artistic expression. The Met’s audience, not usually known for its progressiveness, booed Schumer for failing to endorse mayoral candidate Zohran Mamdani. Three weeks […]

Posted inEssay

Classical Music’s Weirdest Popularizer

Have you ever wondered what Richard Wagner would have looked like in a superhero costume? Or how Ursula Vaughan Williams jived on the dancefloor? Or how good Nikolai Rimsky-Korsakov was in bed?   Fifty years ago this month, Ken Russell’s “Lisztomania” was premiered in London. In this film, the most outrageous of the 12 pictures the […]

Posted inEssay

Gap Trap Laugh, Part II

PART II VI.Shimmering Ontology / (Laugh) Struck by the apparition, she burst out laughing. The laughter of childbirth.—Hélène Cixous and Jacques Derrida, Veils Kundry’s primal scene—the instant of her transformation into the figure of the eternal feminine pariah—takes place at the base of the cross: having laughed at the body of Christ, she endures as […]

Posted inOpinion

The Rhizome

Every piece of music has a political context, including the person or institution commissioning the work, the space in which the music is performed, the funding mechanisms and the audience’s social background. In the 20th century, complex contemporary music was generally associated with democracy, because it represented a form of individual expression that was unacceptable […]

Posted inEssay

Gap Trap Laugh

for Seth Brodsky PART I: STRANGE THINGS I. getting it just right Every act of reading is a difficult transaction between the competence of the reader (the reader’s world knowledge) and the kind of competence that a given text postulates in order to be read in an economic way.—Umberto Eco, Interpretation and Overinterpretation All artists play […]

Posted inInterview

The Unconscious Process

On a recent warm autumn evening in Porto, the Russian-Armenian pianist Eva Gevorgyan performed before a crowd so spasmodic with coughing fits it may yet prove to be a locus of the next pandemic. The barking did nothing to quell Gevorgyan’s performance of Chopin, Brahms, and Schumann. Dressed in a Celedon-green sequined dress, a silken […]

Posted inHistory

A Piece for Peace

In 1965, the United Nations asked Benjamin Britten to compose a choral work to celebrate the organization’s 20th anniversary. The piece, it hoped, would be “the natural and inevitable sequel to the War Requiem.” The Secretary-General, U Thant, explained that the new work would be premiered at the UN Day concert on October 24, 1965, […]

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