“Into the Night,” a new work for sitar, Indian classical ensemble and orchestra by sitarist and composer Jasdeep Singh Degun, begins with a nocturnal luminescence. Warm shimmering string tremolos give a harmonic foundation, over which a sitar melody blooms with bright, undulating streams of notes. These solo melodies become energetic dialogues. The esraj (a bowed […]
Tag: Jazz & Nonclassical
Posted inReview
Saints of Doubt
In an episode of “Looney Toons” called “The Long-Haired Hare”—haughty classical fans were once called longhairs, supposedly after Liszt—Bugs Bunny quarrels with an opera singer. Bugs is hanging out in the Hollywood hills, singing and playing the banjo. Meanwhile, in his home nearby, the best-named Italian American in television history, Giuseppe Jones, is trying to […]
Posted inEssay
The Delirious Dance
After eight minutes of agitated, highly rhythmic vamping, the left hand and the right hand jockeying for space on the keyboard, the repetition of a D key so many times that most other pianists would have developed rapid-onset carpal tunnel syndrome, Keith Jarrett finally lets go. We hear an exhale. Now turning to stately, spaced-out […]
Posted inInterview
Switch Sounds Upside Down
Ron Carter is one of the titanic bassists in the history of jazz. Raised in Detroit, he started playing the cello, then added the bass, training as a classical musician at the Eastman School of Music in Rochester, New York, and then the Manhattan School of Music. While still studying, he started playing jazz in […]
Posted inInterview
Wonderful Chaos
On December 8, Syrian President Bashar al-Assad was swiftly toppled from power after 13 years of oppressive rule. Syrian communities around the world celebrated the sudden shift in power as Assad was granted asylum in Russia. What does this mean for Syria—and for Syrian musicians? I caught up with Aeham Ahmad, a pianist and a […]
Posted inOpinion
Argumentum Ad Antiquitatem
In 1998, The New Yorker jazz critic Whitney Balliett predicted with remarkable prescience the future creations of Wynton Marsalis. Following “Blood on the Fields,” Marsalis’s jazz oratorio which, to Balliett’s surprise, won a Pulitzer Prize for Music that year, he wondered what might be next for the trumpeter and composer: “Perhaps Marsalis will write a […]
Posted inInterview
Fantasies, Urgencies
At Wigmore Hall in November, a solo piano recital by Vijay Iyer was like a set of rough clouds in a humid summer, breaking in brief, awesome moments. Hearing “Love in Exile” at the Barbican a few months earlier, the trio (Iyer, Arooj Aftab and Shahzad Ismaily) made a thick haze like a hot-warm drunkenness. […]
Posted inEssay
The Black Modernism of American Music
How many years should pass, in polite society, before a country is allowed to have its own national style of classical music? In 1939, over 150 years after the Declaration of Independence, Leonard Bernstein began his senior thesis at Harvard with the statement, “I propose a new and vital American nationalism.” In the essay, “The […]
Posted inInterview
Mission Family
In 2013, Groupmuse launched as an app to help you put on live classical concerts in your home. It was the height of the app boom, and outlets from Wired to the Wall Street Journal praised Groupmuse as the AirBnB or the Uber “of classical music.” Those comparisons read differently now—but Groupmuse was never trying […]
Posted inEssay
Timbral Bombast
On Saturday, the Birmingham Royal Ballet will take the stage, not to the languid string melodies of Pyotr Ilyich Tchaikovsky or Adolphe Adam, but to the distorted power chords of pioneering heavy metal band Black Sabbath. The new production, “Black Sabbath – The Ballet,” honors the hometown musicians whose eponymous debut album helped spark a global […]